Complete ND Neutral Density Filter Set, Compatible with Cokin P Series, Includes: Graduated ND2, ND4, ND8, and Full ND2, ND4, and ND8 Filters for Canon EOS Rebel SL1, T5i, T4i, T3, T3i, T1i, T2i, XSI, XS, XTI, XT, 1D C, 70D, 60D, 60Da, 50D, 40D, 30D, 20D, 10D, 5D, Mark II, III, 1D X, 1D C, 1D Mark IV, 1D(s)Mark III, 1D(s)Mark II(N) , 5D Mark 2, 5D Mark 3, 7D, 6D Digital SLR Cameras Which Has Any Of These (18-55mm, 55-250mm, 75-300mm III, 70-300mm IS USM, 24mm f2.8, 28mm f1.8, 50mm f1.4, 65mm f2.8, 85mm f1.8, 90mm f2.8, 100mm f2 & 100mm f2.8 lens) Canon Lenses + More!! Reviews

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58mm 2.2x Telephoto HD Zoom Lens, 0.43x Wide Angle Lens, Lens Pen Kit, Lens Hood, More For Canon EOS Rebel XT XTI XSI T1I T2i T3i T3 20D 5D 300D 350D 450D 400D 10D T2 40D 50D 60D 1000D 550D That Use Canon Lenses (18-55mm, 75-300mm, 50mm 1.4, 55-200mm)

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Top 5 Apple iPhone 5S Add-On Camera Lenses
The fisheye attachment gives a unique perspective to the captured images while the macro lenses zooms up the image by 10x and 15x. The wide angle lens doubles the default viewing range of the iphone 5S' camera. The camera accessory is available in …
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Photography Update: Up to $300 Instant Savings on Canon Lenses and Speedlites


NYC, NY (PRWEB) October 19, 2012

B&H Photo Video is pleased to share with photography professionals and enthusiasts the newest Canon instant savings on lenses and speedlites.

Save $ 300 on the popular Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens, one of the most acclaimed lenses in the Canon EF line, with superior performance, increased speed and optical quality. Save $ 200 on Canon EF 70-300mm f/4-5.6L IS USM Telephoto Lens.

Also save $ 150 on Canon EF 8-15mm f/4L USM Fisheye Ultra-Wide Zoom which delivers 180

Fujifilm Announces a More Powerful Mirrorless Camera with X-mount Lenses


NYC, NY (PRWEB) January 11, 2012

B&H Photo has announced that it will be carrying the New Fuji XPro1 digital camera, a blacked-out model with a retro look and feel. The camera features a new 16MP APS-C format X-Trans CMOS imaging sensor (23.6 x 15.6mm), which is driven by a Fujifilm EXR Pro image processor that enables still capture in the form of JPEG, RAW (RAF format), or JPEG+RAW, one at a time or in bursts of up to six frames per second in Continuous Drive mode.

X-Trans CMOS sensor’s color filter array.

By enhancing aperiodicity (randomness) in the array arrangement, the color filter minimizes generation of both moire and false colors, eliminating the necessity for an optical low-pass filter in the lens and enabling the X-Trans CMOS sensor to take full advantage of the attached lens. The EXR Processor Pro is supported by an integrated co-processor for higher speed and higher precision image processing performance.

The Fuji X Pro1 can also capture 1080p full-HD video at 24 fps with stereo sound. The shutter range on the X-Pro1 goes from 30 seconds to 1/4000-second with a top flash sync speed of 1/180-second. Shutter speeds and apertures can be set in 1/3- stop increments. The ISO ranged from 200 to 6400, which is expandable to an ISO equivalent of 100, 12800, and 25600 when the going gets particularly tough.

Like the original X100, the Fujifilm X-Pro1 offers two options for composing and reviewing imagery. The first, in the case of the X-Pro1, is a 3.0 inch, fixed position LCD that sports an impressively high 1,230,000 dots of resolving power. The second is a hybrid viewfinder that can be transformed from optical to EVF with the flip of a switch. The X-Pro 1s LCD and hybrid finder both offer 100% of the total image field for accurate framing in both still and video mode.

When set to its optical position, the X-Pro1s viewfinder is very bright and clear, similar to a rangefinder. When switched to EVF mode, exposure data can be displayed along the edges of the frame and you can also view exposure and white balance adjustments you might make in real time.

In terms of construction, the top and base plate of the Fujifilm X-Pro1 are made from die-cast aluminum alloy and feature elegant design touches that include precision engraving on the top plate and hand-enameled lettering on the cameras dedicated XF-series lens system. The cameras shutter speed and exposure compensation dials are milled from solid metal and feature lock mechanisms that prevent you from inadvertently changing settings. Even the lens hoods are machined from aluminum and not less expensive polymer materials. To round things out, finely textured faux-leather materials wrap around the front and side panels of the camera body.

Tradition-minded photographers will appreciate the selection of film-emulation modes featured on the Fujifilm X-Pro1. Included among these film emulations are two Negative Film modes, Velvia for more saturated, vivid colors, Astia for soft skin tones, and Provia for natural color renditions. Theres also an Enhance Monochrome mode that can emulate the look of red, yellow, and green filters when shooting black-and-white film mode through these aforementioned filters.

Fujifilm XF-mount Lenses

To complement the new camera Fujifilm X-Pro1, Fujifilm is introducing three fast-aperture Fujifilm XF-mount lenses, each of which, like the X-Pro1 camera body, is machined aluminum alloy. For wide-angle shooting, Fujifilm has an 18mm f/2.0 XF R (27mm equivalent), which contains eight elements in seven groups including two aspheric lenses, and focuses down to 7″ (18cm); a 35mm f/1.4 XF R normal lens (53mm equivalent), which contains eight elements in six groups including one aspheric lens, and focuses down to 11″ (28cm); and a 60mm f/2.4 XF macro lens that contains ten elements in eight groups including one aspheric lens and an ED element, which focuses down to 10.5″ (26.7cm) for a maximum magnification ratio of 0.5x.

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