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I don’t understand. Why can’t we just decrease the shutter speed (to the
point it doesn’t get blurry), increase ISO one or two stop, or open up the
aperture to introduce more light? Why exposure compensation?
I’m an amateur so I’m totally for looking at the histogram, but I have a
though! What photographers did back in the days without digital metering
and when cameras didn’t show the histogram? Maybe it’s a silly question but
I wonder, if they were able to do photos without viewing the histogram was
’cause they were better than today’s photographers?
This is great Tony!
Hi Tony, What camera did you use to record this video with?
Very good video. I have a problem with my camera or shooting technique. I
ran into the same situation. Background is fine but face is nearly black.
So i push the compensation a little. The image is fine, however i get a lot
of noise on the face. Also, it seems that my camera always underexposes the
image and the histogram never touches the right side. It is a crop sensor
camera. Could it be because of the crop sensor limitations ?
Very informative.
But why not study the exposure of the subject and compensate from that?
Is the histogram that necessary?
Of course, the best way to meter for this is using a real light meter….
Exposure compensation greatly simplified. Thanks.
Hi Tony- Thanks for your video. Quick question. I just got the 5D mark
III (I’m a Nikon shooter). On Nikon, you just click on Exposure
Compensation and change it. It seems like I have to hit the EC button,
then halfway click the shutter button before I can get the EC to “set”. Is
this true?
hi tony great demo . but can you tell me how i can get the histogram in
live view so i can see before i take picture. or is this not possible
cheers john
Both of you are always so clear and straight forward in explains stuff.
Thanks!
she is beautiful
In the samples were you shooting in aperture priority?
Chelsea is awesome. I want to stalk her now.
Thanks Tony for that explanation. And thanks Olympus for including a
live-histogram mode in my camera :)
For D7100 bracketing exposure, is it normal to have 0 and 0.3? Moving the
buttons doesn’t move 0.3 back to 0
Thank you for your great videos. One thing that confused me though: in this
video you don’t recommend to use spot metering when shooting flying birds.
In your video “How to Photograph Flying Birds” however you recommend spot
metering. Can you help me here?
good video. Thanks for this. Definitely appreciate watching videos that are
easy to understand and hear and watch. (and… to anyone looking into the
book. I own it. Worth a read!!)
The only way I used exposure compensation is when using aperture/shutter
speed priority or program modes. I use my camera on manual… Guessing my
only option is to increase ISO, lower shutter speed (which I don’t go too
low to avoid camera shake) or open my aperture. Should I start shooting
more often on program mode?
Very good vid. Explained very well.
When You shoot RAW all you need is ISO100, because there is no magic in ISO
value. When You have ISO 100 You know how to expose to the right to obtain
maximum dynamic range for the camera. Introducing ISO values makes
impossible to have any idea what sensor sees… ISO is only a digital
amplification of underexposed RAW image to get properly generated JPEG and
discard RAW.
When You have live histogram You need to know if it is postWB – JPEG output
based or preWB sensor – RAW based. With former one You need to fix WB to
look green in the same proportions as sensor gets (it is R:G:B in 1:2:1).
This is why digital photography changed from analog. We can no longer
blindly base our exposure on lightmeters (white light) but on sensor
greenish output to evaluate optimal settings while looking at histogram
(expose to the right). Using internal lightmeter is never going to give You
optimal results.
BTW RAW material of this photo overexposed on trees is probably going to be
better than initially properly exposed. There is much more information in
highlights than in any other area of dynamic range. Just compensate it down
later. Then it is possible to push the contrast up without any
posterization and get wonderful colors.