2 thoughts on “Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras”

1. 698 of 718 people found the following review helpful

   
   A Real Lens!, July 24, 2005

   By 

   RenaissanceMan –
   
     

   Verified Purchase(What’s this?)

   This review is from: Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras (Camera)

   October 2006 Update:
   I thought I owed this Lens review an update after shooting with it for almost a couple of years and having the pleasure of shooting with a variety of L Lenses: 70-200L, 16-35L, Fisheye, 50mm and the Kit lens. This is what I’ve found:

   1) Bar none, the best “portrait” lens I own. There’s just something about this 85mm focal length + f/1.8 that brings out detail….faces have so much dimension with this lens, they look 3 dimensional. When I want to get shots of my daughter that amaze, I use this lens. When I look at my picture archive on my computer, I can easily spot the ones taken with this 85mm. My friends, some of which who don’t know much about photography, pick pictures taken with this lens as their favorites – they ask wow how did you get that picture? I have a few blown up pictures to 16×20 and 11×14 of my daughter for my parents from this lens which are magnificent.

   2) I thought that when I bought my 70-200L I would never use my 85mm again, I was wrong. I routinely find myself putting on the 85mm and shooting pictures with it. Also, Its much lighter and less imposing than my 70-200L so when I just want amazing portraits, don’t need the higher 200mm and don’t want the weight, and want a real shallow depth of feel and out of focus backgrounds, I go for the 85mm.

   3) I also have a 16-35mm L which I use quite a bit for inside shots and panoramas which stays on my camera most of the time but there’s just a special look to the longer mm rating that you get which makes portraits just work better with the 85mm – so when I take off the 16-35, I usually mount this 85mm.

   4) I really thought that between the 16-35mm L and the 70-200L, I’d never ever use the 85mm, I was wrong. There are wonderful advantages to this lens which make it a keeper for me….the construction on this lens has held up very well, after years it looks brand new. I do have a UV/Haze filter that I use as a protector I got from Amazon (about $25) – great value.

   There’s allot to be said for a non “L” lens which consistently winds up on my camera when I own several “L”s which cover the mm of this lens. To me, its an L: built like an L, color and saturation comparable to an L It’s my “L” lens that doesn’t have a red stripe.

   Original Review:
   I bought a 20D recently with the 18-55mm kit lens and to start out I bought a 50mm f/1.8 lens which really got me interested in the faster f/stops to blur backgrounds and take pictures in lower light. My kit lens was not fast enough (hard to blur background and hard to take pictures in low light) and both the kit lens and 50mm lens did not have Ultrasonic which made me miss focus more often with moving targets.

   I looked quite a bit and found the 85mm f/1.8 lens. Although Amazon only had a few reviews, the photography forums I found were buzzing about how this lens should’ve been labeled an L lens. Pros might know why but 90% of the reviews I read said it was comparable to an L lens in quality and that it was very affordable.

   I bought this lens and I have to tell you, I was very impressed with it right from the start. On construction, its heavier than the kit lens and the plastic 50mm II lens. It has a metal mount and very solid construction. If you look through it you can see allot of glass which tells you it has a wide aperture and consequently its much heavier than the kit lens or 50mm lens. But…its heavy in a good way. It balances the camera and makes it look like a real camera.

   So what’s good about this lens? For one, you can take great pictures in low light with the f/1.8. I photographed a stage play handheld with this lens and no flash (non allowed) and I got tremendous results. Ultrasonic helped with every picture in focus and all very sharp with vibrant colors, very nice saturation, and I used ISO 400 and I could even freeze the action on stage.

   As a portrait lens, it really can blow the backgrounds into a very nice buttery blokeh and with the Ultrasonic – I haven’t missed focus once. Its also wonderful for inside pictures with no flash. The F/1.8 is really versatile.

   A few notes. If you’re going to get a 70-200 L zoom lens, you might wind up not using this lens as much but for parties, its allot less intimidating than a big white lens. I hear this lens was designed a long time ago and not really designed for digital and that some strange effects can be seen with it on digitals. I have not gone looking nor experienced any of these. Its just a tremendous value at $350. I was not able to use this lens as a macro as it was not designed as such but I have thought of putting an extension tube on it to see what I get but haven’t done so yet.

   Constructed Solid. Solid feel, smooth focusing ring, distance window, autofocus with a real Ring USM. Five Stars! Amazon shipped fast on this for me – Great store.

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2. 444 of 466 people found the following review helpful

   
   Do you really need this lens?, April 3, 2006

   By 

   Abdulrahman Aljabri (Jeddah) –
   
     

   This review is from: Canon EF 85mm f/1.8 USM Medium Telephoto Lens for Canon SLR Cameras (Camera)

   The answer is most likely yes; since its price make it the best value for a fast canon prime lens. But before you make the $350 plunge here are few useful things to know about how it can be used. Keep in mind that I use this lens on the Rebel XT (1.6 factor), which means it provides me with an angel of view similar to 135mm on film cameras.

   SHARPNESS: Yes that’s one feature you can count on when buying this lens. This lens produces very sharp pictures. So much so that it will blow away your 18-55 kit lens (if you have one) and all other zoom lenses. Exception to that are the L-series zooms. The sharpness difference will be obvious even in the smallest of prints (4 by 6). If you can’t envision such difference then consider this. Sharpness can be viewed as contrast between the edges of different color objects. Hence, the sharper an image the greater the contrast in the edges between such groups of color. This lens captures the contrast in such setting better than most other lenses.

   SPEED: This lens is blazingly fast. As such you will have the opportunity to shoot at higher shutter speeds wide open (remember the inverse relation between aperture and shutter speed). More importantly you gain the ability to shoot in low light situations (concert for example) and still maintain a decent shutter speed for handholding. Here’s the best part, if you’re like most new people to photography, you probably plan to take self portraits. This lens will give you that ability, as you will be able to buy few clamp on lights coupled with 100-150W bulbs and start shooting at medium ISO speeds wide open.

   ANGEL OF VIEW: Assuming you will be using this lens on a 1.6 digital format consider that you will be having a tight crop, more like that of a 135mm lens on a film camera (1.6*85=136). What does that translate to in practical terms? You will have to stand 6-8 feet away from your subject to be able to cover their head and shoulders at landscape orientation.

   SPECIAL EFFECTS: Here are two special effects you will find useful in this lens depth of field and compression. To some degree or another every lens offers depth of field, which can be summarize as having only the subject of interest in focus and the rest of the picture blurred. This lens is unique in that it creates a very shallow depth of field in which the subject is truly isolated from the whole scene. Set the aperture to 1.8 and focus correctly and you can achieve such results. More importantly the lens quality of such blur (known as bokeh) is outstanding as there are eight diaphragm blades that control the aperture opening vs. 5 or 6 in many other lenses.

   As for compression, since the camera is a telephoto it will compress everything in its sight closer together to fit in its sight. For example, if you are photographing a person, their face will look wider and their nose will look smaller or flatter. Keep in mind that unlike some of the longer telephoto lenses (300mm for example) the effect with this lens is subtle and pleasant

   SIZE AND BUILD: Its size and weight are perfect! It balances my XT very nicely. So much so, that I can take pictures at very low shutter speeds with this combination (though I don’t find my self doing that that often with this fast lens). All this translates to comfort and confidence when I am shooting with this lens. The build quality is excellent, I find no inherit weakness in the design.

   If you plan to photograph friends and family then this is the lens. You will take sharp pictures with the right kind of effects for portraits like compression and beautiful bokeh. The lens is fast and designed excellently for maximum control and comfort. You won’t miss a shot because of shake with slow shutter speeds and even if you do (that’s a big if) you can put its speed to use by dialing a higher aperture. It’s only draw back is that it has a pretty tight angel of view on 1.6 factor SLRs. I can’t think of any other prime in the non-L canon line up that matches this lens (other than possibly the 50mm 1.4). Truly an incredible value, buy it with confidence!

   Ps. By no means does this review cover all the merits of this lens. To name a couple, the lens offers precise auto focus and low chromatic aberration. Rather, I covered the features that were most useful for its intended purpose; taking pictures of people.

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